Tuesday, February 20, 2018

Frost

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What makes a great poem?

Related image Raw is the first thing that pops into my head. Great poetry is always raw. It makes you feel things. A great poem will elicit all sorts of emotions as you read  and analyze it. It should spur a connection with you.
The best types of poems have great metaphors, too. I’m a sucker for that feeling you get when you uncover a mind-blowing metaphor in poetry. Also, I have always loved the way simple phrases in poetry will resonate with me when they encapsulate a complex generality. (All the best ones do! Coincidence??) I think that is fairly important too. Another thing that will make it great is when there is one line in particular that resonates with you more than the rest.
A great poem should eloquently and effectively express an idea. It should make you stop and reread it three more times to appreciate (or analyze) it. It’s crazy the effect words can have. This brings me to another point, diction!! If the poem isn’t throwing around complex words and elaborated allusions only genius, cultured people can recognize, is it really a great poem worthy of your time??


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One great poem I have had the chance to read is "Mr. Flood’s Party" by Edwin Arlington Robinson. (Definitely recommend!!) I think that poem has so much depth depicted through a short, wonderful yet sad narrative. I think it easily falls into all the categories I previously stated.


"Something there is that doesn't love a wall"
When I first read this my first thought was about Trump’s dumb wall. The more I kept reading it, there more that message stayed with me. I really liked how this poem has so much depth. The whole poem is a giant metaphor.
I really enjoyed this poem as it talks about how these people built this wall in order to fix their issues. I like it. The two neighbors only come together this one time to fix the separation they have. The diction works and flows well. “ Good fences make good neighbors.”
This poem even rhymes! (I love when poems rhyme).
The wall is the issue. Its gaps are its flaws. Both natural and human events/error break the wall. So maybe even nature doesn't agree with the wall. This wall keeps things in and/or keeps things out. The narrator’s neighbor wants the wall while the narrator doesn't care for it/want it but does it because the neighbor wants it. The ideas of conformity, the divisions humans will create, and the measure they will take to do so strongly resonated with me.
Overall, the poem is straightforward and the imagery painted a fairly clear picture for us. It was a lot of fun analyzing this poem. I think it was well written and expressed a variety of ideas. Home Burial was a close second.
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“Worst” seems kind of harsh so I am going to say “The Death of The Hired Man” was my least favorite poem. Though I don't think this was my least favorite because it fell into the bad poem category. I didn’t like this poem mostly due to the high expectations I had beforehand. It all had to do with the poem and the first line. These expectations seem silly now as I did not take into account the time period. The title was really interesting but the poem turned out to be about a couple on the farm talking about the hired man, a worker named Silas. It was a little too long too. It had a lot of dialogue which I am not a huge fan of it in poetry. I think with all that dialogue he probably should have just written it as a short story. I think I would have liked this more if it were a short story. Of course, it had the familiar nature and rural setting that Robert Frost has in all of his poems. I didn't really feel anything when reading this that was probably a major factor in why it is so low in my list. I also didn't really relate to it. In all, I just didn't take much from this.

Friday, December 1, 2017

The Stranger pt 2


A strong case the prosecuting lawyer makes is with the way he talks about Meursault’s previous days prior to the event.  This doesn't have anything to do with the crime. It has more to do on trying to figure out the person he is. One by one people are called up to speak on behalf of Meursault. This is where the examination of the crime shifts to a condemnation of Meursault’s strangeness. The prosecutor definitely takes advantage of all of Meursault’s weird behaviors such as him being totally apathetic throughout the funeral of his mother, how he offered a smoke to the guy, how he slept through parts of it, and how he didn't even know how old his mother was.

“He said the truth was that I didn't have a soul and that nothing human, not one of the moral principles that govern men’s hearts, was within my reach… we find [emptiness] in this man, an abyss threatening to swallow up society.”

At the beach, after the fight, Meursault is walking on the beach and, once again,  is complaining about the heat. The reflection of the Arab’s knife reflected the sun into Meursault’s face and it sets him off. He shoots him. Then, Meursault shot the man four more times after that. When he did it he said, “it was like knocking four times on the door of happiness.”
I think if he hadn’t shot him four more times the verdict would have been very unjust. However, because he said this and showed no remorse or tried to defend himself, the verdict is a little more just in that sense. I don't think he should have been sentenced to the guillotine simply because killing someone for killing someone else doesn't seem very productive. Particularly in Meursault’s case as he says we are all going to meet death anyway. But also, I am not really sure what would really deem someone worthy of a fate like the guillotine.

One of the most inconceivable things about Meursault was that, he did not look to the Lord for help throughout the trail. He didn't believe in God at all and constantly refused to see the Father and when he was forced to, he called him “monsieur” instead. The court uses everything peculiar thing about him against him, to portray such a “horrible man.” I think it focuses more on his strange personality as opposed to staying on the topic of the death of the Arab. I think it is fairly normal to dissect the criminal to establish the type of person they are. This is evident when they twist Marie’s words in order to highlight Meursault as different.

Overall, the prosecutor most appeals his argument effectively to the jury through ethos and pathos. He then wraps it up by offering a plausible scenario of what happened.
“I had agreed with Raymond to write the letter in order to lure his mistress and submit her to mistreatment… Raymond had been wounded. I had asked him to give me his gun. I had gone back alone, intending to use it. I had shot the Arab as I had planned… to make sure I had done the job right, I fired four more shots, calmly.” 
It’s pretty convincing.

It would have been worse if he had said what actually made him kill him as that would make him more evil. He also didn't do anything to defend himself.


In the setting and society of this story, I don't believe someone like Meursault could ever have a fair trial.
Everyone deemed him very strange and was even referenced as “Monsieur Antichrist” by the magistrate. Meursault has no faith, empathy, nor any pleasing traits that could have put any doubt in the jury’s mind. Like the question poses, he is so at odds with society’s conventions and morals. By the time Marie, Salamano, and, more importantly, Raymond have something positive to share, no one really takes them into consideration as they already know what they believe. After all that they have heard, they can no longer accept that everything was merely happenstance. Because ridiculous, right? I think the jury was too bias and prejudice to have been able to offer him a fair trial. There are always going prejudices and biases, though. But at least in this decade, jurors wouldn't have really gone to that great of an extent of branding him inhuman for refusing to believe in God nor meet with the chaplain. No one can seem to get past the fact that he is apathetic to these events. Helen Keller referred apathy as one of the greatest evils in humans. I think that is why Meursault is seen as this monster, as the people in this jury have that same belief.
“Not once during the preliminaries hearings did this man show emotion over his heinous offense.”
Even when they read how he is being sentenced to the guillotine, they ask him if he has anything to say and he says, “no.”

“He reminded the court of of my insensitivity; of my ignorance when asked Maman’s age;  of my swim the next day; of the Fernandel movie; and finally of my taking Marie home with me…  He said the truth was that I didn't have a soul and that nothing human, not one of the moral principles that govern men’s hearts, was within my reach… we find [emptiness] in this man, an abyss threatening to swallow up society.”
More than anything I don't think he really deserves much of a fair trial as he didn't have to shoot someone 5 times.
There is a clear distinction. The people of the jury no longer see him as one of him but as a heinous monster. People can’t sympathize him even one bit.

Perhaps this is too different of a comparison but I started to think about how the Boston Marathon Bomber was not just a horrible person for his actions but also because during his trial he was totally indifferent. He barely spoke. Granted there was not much he could say to defend himself. More than anything everyone kept saying he didn’t even show any remorse. (So showing no remorse/being empathetic is still seen as inhumane). What I remember the most is just hearing how above all Dzhokhar Tsarnaev was an apathetic and sociopathic terrorist.  People won’t/didn't care about how he used to be loved by his teachers, classmates, friends, and family, etc, but instead his name will forever make people think of pure, heartless evil. (It really stuck to me so that is why I bring it up and it was all we wrote about in General Paper for a month). It was crazy how he didn't seem to care as his fate was being decided right in front of him. He had to listen to all those victims talk about how they will forever have some sort of reminder of this tragedy (due to loss of limb or family member). Yet the whole time he was impassive and showed no remorse according to everyone. I couldn't fathom how he couldn’t feel the least bit sorry for his actions after hearing all of these testimonies. I don't know why it is that empathy is seen as a universal

This jury consisted of strangers. None of these people truly knew nor understood entirely what Meursault is about. Of all the people that spoke about Meursault, Raymond seems to do him some justice but it’s incredibly too late by the time he speaks. No one really believes him. I think it was all in the way other people talked about the way they seen Meursault. I think a major fact is about perspective. They met him at the worst time ever.



“I blame myself every time for not having paid enough attention to accounts of executions. A man should always take an interest in those things.”
“with the guillotine was the fact that you had no chance at all, none.”
“I remember feeling a little disgusted by him at the time.”

“The thought of being the spectator who comes to watch and then can go and throw up afterwards, a wave of poisoned joy rose in my throat.”

The only two things that are certain in life is that you are born and somewhere along the way you die. The thing is you don't know when. Or how. Or why. Unless it gets determined by a jury. This is it for Meursault. He is going to be beheaded and he wants a huge crowd for it. I think he thinks there is this kind of rush, and a possible enjoyment, that people get from this experience. They're also lucky to realize that they're not in that position. Meursault says how they at least have a better chance of escaping the guillotine (but still dying nonetheless). I think he wants a huge crowd at his execution so they can feel that feeling. The more people that go, the more they will never forget it. It will stay with them forever. I also think it is a little sick to have such a bold (i guess) desire. He also might have said this as he wants to distract himself and “make the best of the limited time he has left.” it’s a crazy thing to fantasize. I think with how strange he was, it will surely make headlines for various newspapers and it will gather the attention of many people who will want to go see his public execution.
It is weird because his father went to one and then threw up after it. And now that is the fate his son has been given. It’s not any better. Young Meursault was disgusted his father went to one but now he is going to be up there, possibly making some disgusted for watching one and making others throw up.



The chaplain seriously can't believe how Meursault doesn't look to the lord for forgiveness or help. He said everyone in his place, whether they were religious or not before, they always looked to the lord. Meursault said he won’t call him Father because he isn’t his father. This shows disrespect to religious people and it also shows that Meursault doesn't understand and or know about how/why you refer to him as Father. He never bothered with religion which was not very common during these times. Meursault says, “I may not have been sure about what really did interest me, but I was absolutely sure about what didn't.” and he literally doesn't have time to waste on things that don't interest him. The more the Father talks to him, the more annoyed Meursault was. He keeps saying how it is all the same. We are all going to die. He refuses to embrace the Father. I think when he is yelling at the Priest it isn’t entirely about just not believing in religion but he is just letting up all his pent up anger he has been holding back for years. He finally has released all that frustration out. So in way religion did help him. 


“The utter pointlessness of whatever I was doing there seized me by the throat…”

Existential thinking is about the universe being unfathomable; individuals must assume responsibility without knowing what is right or wrong.
Meursault is the epitome of this discussion. He says “there’s people worse off than me.” so there is no point to worry or feel regret for his actions or feel pity for himself. Meursault constantly invalidates his feelings as he is so quick to accept his fate. He doesn't fight it at all in the trial.
The scene with the priest is also relates to existential thinking. Meursault questions the purpose of faith, sin, and death. Ultimately saying that death is inevitable. So why does it all matter? Why make a big deal of one person's death when millions of others did/will too. “Deep down I knew perfectly well that it doesn't matter if you die at thirty or at seventy since in either case other men and women will naturally go on living… in fact nothing could be more clearer.” “only the words yesterday and tomorrow still had any meaning for me.” This shows more of how time is just an illusion. People are the only ones that think in time. We made up the dates and decided to choose a calendar. We are always stuck in the present, so can time really exist?? Meursault is probably on this train of thought more than he ever has before because his time is running out. He is in jail and is trying to make light of his fate. 



Monday, November 20, 2017

Maman and Perez

The caretaker at the home described Maman and Perez’s relationship as basically as a married couple. Although, there are not any specific recollections of their time together, their relationship sounds very cute and happy. Perez is clearly devastated about the passing of Maman. He is the total opposite of Monsieur Meursault. It is hard for Perez to accept this. He can’t believe Meursault and his total nonchalant demanor and especially when Meursault fell asleep during the procession!! This definitely the most loving relationship in the book. It sounds like both of them loved each very much. 



"‘There's no need to excuse yourself, my boy. I've looked up the record and
obviously you weren't in a position to see that she was properly cared for. She
needed someone to be with her all the time, and young men in jobs like yours don't
get too much pay. In any case, she was much happier in the Home.’" 
Maman and Meursault

Meursault is so apathetic. He doesn't talk much and, aside from showing up to the funeral, he doesn't do things most people going through this would do.
Something happened to Meursault that deemed him unfit to take care of Maman.
The death of his own mother totally fazes him. He doesn't recall any specific memories of her nor does he praise her like someone would for their dear mother!! Unfortunately, this gives us little information about her relationship with him as there isn’t much to base it off. He makes her death like such a regular sort of thing. He goes through it the same way one would go to school. He plans out how to get there and how long it would take. He falls asleep a couple times. He listens every now and then to the person talking. In short, it is pretty disrespectful.
Maybe they didn't get along. Or maybe they had a falling out.
I would describe this relationship as indifferent. Meursault is indifferent and overall apathetic about the passing of his mother. It is also sad as what kind of person feels nothing over the death of their mother??? He doesn't even know how old she is. This shows he has not been in contact with her for several years.
“It occurred to me that somehow I'd got
through another Sunday, that Mother now was buried, and tomorrow I'd be going
back to work as usual. Really, nothing in my life had changed.”
This line in particular made me kind of depressed, thinking of how everyday seems to blend into the other. Every day is the same routine until one day, we die. I hate it but I also don’t think I can do much but my routine.



Marie and Meursault
This seems purely sexual relationship in the first instances she is mentioned. Marie always leaves before Meursault wakes up in the morning and she always has an excuse. Then in chapter five, “...and [Marie] asked me if i wanted to marry her. I said it didn't make any difference to me and that we could if she wanted to.” Meursault does not believe marriage is a serious thing. He doesn't even love her. It means nothing in the grand scheme of things. Yet, Marie still loves him or loves him in spite of that. 
She laughs a lot. I guess she is trying to find the good and humor in all of this. Meursault kind of just uses her for his pleasure and he doesn't appreciate and love her as there is no point. He always says "I want her" than saying "I love her."



Salamano and his dog
“Then they halt on the pavement, the pair of them, and glare at each other; the dog with terror and the man
with hatred in his eyes. Every time they're out, this happens.”

This is another relationship that presents an inseparable relationship however this one is more negative and very violent. I like the way that Meursault mentions how they both look like each, old and scabby. Salamano kept calling his dog a “stinking filthy bastard.” Although I don't have a pet of any kind, I don't believe this is a cute, endearing pet name. Everything about this relationship has been the same for eight years according to Meursault. The path the take when they go for a walk has never changed. Then Salamano admits that after his wife (whom he did not really like but married anyway, "got used to her." This also goes back to Meursault's point on how it doesn't matter who you marry.)  died, he was lonely so he bought a dog for companionship. I think he has a pent up anger from his marriage as he wasn't happy with her. Also it is interesting how despite eight years with the dog, the dog's name is never mentioned. Names give people/animals an identity and that's what they respond to. So when his dog goes missing, Salamano realizes how good he had it, he’s lonely again, and he is kind of taking back all the bad stuff he said about his dog. They kind of saved each other, Salamano saved the from the pound and fed him, and the dog gave him some companionship after Salamano’s wife died. Despite the fighting they always had, Salamano is really worried about him. And that despite his flaws “he was still a good dog.” Maybe he can't find him because he can't shout the dog's name for the dog to hear and come home. Salamano is so lost without his dog. “‘I hope the dogs don't bark tonight. I always think it’s mine.’” That line hit me good.

Raymond and Meursault
“His name is Sintes; Raymond Sintes.”
Raymond is a pimp! This relationship seems to be when you only talk to someone because you don't really have anyone else. They are not super close. It is mostly raymond who does the talking. And he is all talk. He tries to act tough around Meursault with the bandages from fighting against a guy who asked for it, when the cop was asking him why he was hitting his mistress, and during the encounter with the two Arabs. He causes nothing but trouble.
He goes back to the beach shortly after he has been bandaged from going up to the Arabs and getting cut by them!!! “But without taking his eyes off his adversary, Raymond asked me, ‘Should I let them have it?’” Raymond just wants to hear what he wants to hear. He plans to provoke the Arab so he can shoot him. ultimately, it is Meursault who will have to pay as he is the one the shoots the Arab.



Raymond and his mistress
“You used me. You used me, I’ll teach you to use me"
He gives her everything she wants and money. Raymond believes his mistress to be cheating on him. He wants to find a way to ultimately punish her and he is asking his friends, like yeah no big deal, on how he can accomplish this “task.” he beats her and possibly rapes her.  Meursault and Marie overhear this disaster happen. Meursault doesn't want to get the cops to stop simply because he “doesn't like cops.” He doesn't see it as his problem and he just seems so fazed about this encounter.
This is another very violent relationship. It is shallow on behalf of the mistress as she is just taking his money, but Raymond takes it too far by beating her. He could've have just cut her off and/or found someone else. Once again he took extreme, violent measures.